Willow, 20, from Mesa, Arizona. Half Latina, all slut – with curves that nobody paid for.
5′4″, big natural tits, a firm ass from sports, blonde highlights, cat eyes.
I've got a strong head: talk to me the right way and I turn all sweet. I paint, read about investing, swim, work out and sing every last bit of shame away at karaoke – and in front of the camera there's none left either. Shoes, jewellery, Sex and the City.
What you get: me naked in the shower, my tits, my feet, bikinis and lingerie, solo videos where I fuck myself with my dildo, fetish and bondage. Custom videos: $100 per minute from 3 minutes, $70 from 10 minutes, ready in 48 hours. No anal, no JOI, no video calls.
Gender: FemaleCountry: United StatesAge: 20Height: 164 cmWeight: 60 kgSexuality: straightHair: BlondeEyes: GreenBody type: CurvyTattoos/Piercings: Ein Tattoo an der Hand
A black set with a small jewelled clasp between the cups and a narrow thong, worn with a padded white headband. Shot against a grey headboard on white bedding with a polka-dot cushion – kneeling and seated, mostly full-body frames.
Two costumes: a white kimono wrap top with a dark green coat and navy sash in anime style, plus a lilac-and-white hooded top with a black mesh insert. Full-body shots indoors and on the street. Two photos and six video clips, fully clothed.
A bright red tie-side bikini, worn not by the water but in the bedroom: kneeling on a dark grey throw against a pale wooden wall. Overhead selfies alternating with close-ups. The strongest colour contrast in the package.
A burgundy corset top, a long white skirt, a gold belt and a flower in her hair – shot on the beach as the sun goes down and the sky turns orange and pink. At eleven clips the largest video run in the package, and the only one filmed entirely outdoors.
A strong cobalt blue lace set with straps and open work, shot on pale bedding and a grey throw. Mostly overhead selfies and close-ups – the boldest blue in the package, with the widest colour gap against her skin.
Two black runs: a lace set with colourful floral embroidery as a mirror selfie in front of a gilded frame, and a plain black bikini on white bedding. The embroidery is the only spot of colour in an otherwise entirely black-and-white set.
About fifteen vertical clips by the water: the tropical print set in the sea with wet hair, the white bikini on the sun lounger, the shell bikini on the boat deck. Handheld selfies and slow pans, always in full daylight.
A close-fitting olive green long sleeve and nothing else – half reclining and seated on white bedding against a beige curtain. No lingerie, no staging: the run that looks most like an ordinary afternoon, and works precisely because of it.
A cream bikini with real shells and starfish sewn onto it, plus a second set with a gold starfish. Shot on a boat deck against deep blue sea, with a wide straw hat. The most unusual piece in the whole package – not a printed pattern but actual shells.
A cream satin set with tiny embroidered flowers, worn with a beige cable-knit cardigan that keeps slipping off her shoulders. White bedding, soft daylight, kneeling and seated. The warmest and quietest run in the package.
Two pale bikinis on white sand: a white tie-side set on the sun lounger between driftwood and shrubs, plus a pink ribbed one. Full sunlight, shot lying down from slightly above.
A grey top with matching cycling shorts on an orange weight bench, plus a black mesh-panelled sports outfit outdoors on the grass. One photo and three video clips – the run that shows the shape sport gave her, with no lingerie involved.
The largest video run in the package: around thirty clips in black lingerie and black lace, filmed in the bedroom and in front of the mirror. The camera comes in very close – neckline, stomach and hips often fill the whole frame. Slow movement rather than quick cuts.
The most colourful beach run: a green-and-yellow neon set kneeling in the sand, a tropical print in pink, blue and green in the pool, plus a dark green bikini by the sea. All in full daylight, full-body frames rather than close-ups.
Around fifteen clips in the cream satin set with its tiny embroidered flowers, kneeling on the bed against a grey headboard. She often talks straight to camera, with slow pose changes in between. The run with the most eye contact.
A pink-and-white gingham bikini set, filmed in the bright bedroom rather than at the beach. Standing full-body shots in the mirror, clips lying down, and close-ups in which the small check nearly fills the frame.
A grey lace set shading into mauve, with black briefs – and the only run in the package where she wears two braids instead of loose hair. Standing full-body shots in a bright room, plus close-ups and slow turns.
School uniform in two variations: a white blouse with a burgundy striped tie and grey skirt, plus a white shirt with a black pleated skirt. Shot in bright rooms, composed and upright rather than played up. Two photos and four video clips, all frames clothed.
Two uniforms in a real treatment room: pale blue scrubs with a stethoscope on the hospital bed, and burgundy scrubs with blue disposable gloves. Not a studio with props – the monitor, curtain rail and bed are genuine. Two photos and nine video clips, clothed throughout.